#Andy muschietti art how to#
#Andy muschietti art movie#

#Andy muschietti art how to#

Because you know this project has been in development for like six years or something.įennessey: Yeah, I want to ask you about that, too - what it’s like to come onto something that another filmmaker has left, and how to make it your own, too. He did sign off on an early draft, before I was in the project. Muschietti: That doesn’t mean he didn’t approve.

#Andy muschietti art movie#

The New ‘It’ Movie Is Scary, but Nothing Beats Your Childhood Fearsįennessey: What role does King play in something like this? Does he have to approve of you, to bless you to do this? Or does he sort of say “Go and make your film and good luck”? It, above all work, is probably the most loving letter to childhood. An emotional connection to childhood, too. That’s why when It happened, I sort of understood, OK, we need people to get to the heart of the story and the soul of the characters and really get that emotional connection. I learned more storytelling from Stephen King than from movies in general, probably. And … that’s not a lesson you are taught from the big bulk of horror movies. Like even though I love horror movies, I have that counterbalance narrative which is, OK, yeah, you’re trying to scare people, but you also want people to like the characters and care for them before the monster attacks. I learned love for characters from Stephen King, because he’s fixated with description and the psychology and back stories of the characters. Humor and emotion in a horror movie are there to make you connect emotionally with the characters. Muschietti: Well, you know, there is a balance. How do you work all those things together? That’s very difficult to pull off. …įennessey: How do you honor that tonal shift though? Because your movie is very funny. Muschietti: Well but Stephen King is, you know, he doesn’t shy away from the reader from one tone to the other. Thinner in particular, I was like, “Is this a comedy? Is he…” I couldn’t put my finger on it. I remember reading some of his Richard Bachman books, like Thinner.įennessey: I always had a hard time figuring out how funny he was trying to be in those books. And then I went into his short stories like Skeleton Crew and Night Shift. Muschietti: Well my first experience was Pet Sematary - I was like 13 or something. And I started thinking of characters and story.įennessey: Were you very devoted to the books?įennessey: When did you first come across It? Muschietti: Yeah, I mean my passion for horror started before, but when I started reading Stephen King around 13, 14 years old, a new world opened - a world that was more layered. Were there more challenges to doing something this big? Or did you feel prepared to do something at this level?Īndy Muschietti: No I always feel prepared in the sense that, you know, I grew up reading Stephen King which is something that came hand in hand with my film experience.įennessey: Yeah, if you fall in love with horror movies, you kind of fall in love with Stephen King at the same time, right?

There’s a lot of characters, a lot of speaking parts. This transcript has been edited and condensed. They also discussed Stephen King’s opinion of the film, the inner workings of Pennywise as a character, and the importance of childhood to this story. On the latest episode of The Big Picture podcast, Sean Fennessey spoke to Andy Muschietti, the director of It, about how he crafted his own vision for a work that has had many adaptations.